Monthly Archives: May 2013

More Great 21st Century Soul and R&B

Last year I wrote a blog post about how there’s been an onslaught of artists that are producing truly world-class R&B and soul, including Sharon Jones and The Dap Kings, Eli “Paperboy” Reed, and Shemekia Copeland (not to mention Adele and Bruno Mars).

Here’s a very worthwhile addition to this list:

A friend told me about Chrissi Poland almost a year ago and I’m delighted to report that the stars have finally aligned and Chrissi will be joining us for our upcoming show. See The Top Shelf at The Cutting Room on June 7 for more information.

(and yes, it is entirely “possible” that we will perform this song on June 7. Ooh-ooh, ooh-ooh, ooh!)

An appreciation of Jackie Wilson

There have been many discussions about which artist had the greatest influence on Michael Jackson. One name that pops up on many lists is Jackie Wilson.  Consider this clip from the TV movie The Jacksons: An American Dream that dramatizes “Mr. Excitement” mesmerizing a young MIchael Jackson.

The actor here is doing a fine job, but readers should really check out the real deal.  Here’s Wilson closing “Shindig” in 1964.

If you look carefully you’ll see the Righteous Brothers and a very young Bobby Sherman joining Wilson on stage.  Willy Nelson was also on the show that night, but I’ve not been able to spot him during the show’s “dance off”.

Here’s another clip of Wilson performing the same song a year later (keep your eyes out for Fontalla Bass).

In addition to Wilson just killing it, I love the house band, which features the likes of Leon Russell, Billy Preston, and Glen Campbell.

(Note: It’s nice to know these folks were in fact mortal.  Check out some problems with the form around 1:50 where only some people in the and move to the IV chord).

I’ll leave you with a clip of one of my favorite Jackie Wilson songs, “(Your Love Keeps Lifting Me) Higher and Higher” which Wilson recorded in 1967. The Top Shelf performs this from time to time.

And yes, that is James Jamerson on bass even though it’s not a Motown recording.